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Finding Hillywood offers viewers an endearing glimpse into the inner mechanics of Rwanda’s weeklong traveling film festival as well as the cinematic culmination of roughly a decade of growth in Rwanda’s film industry.
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“I love to meet other entrepreneurs who are just starting out,” says Ashish J. Thakkar.
Continue reading If you’re one of those buy-and-hold types, chances are that waiting few years for some of these brands might yield high tastes as they aged.
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“We wanted to create something intensely handmade and unique that is representative of Africa and the African experience in the best possible way.”
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“Rage of the Ballet Gods,” though a new kind of work, it isn’t a far departure from Shonibare’s customary explorations of contemporary political and social conditions using historical events as metaphors. What’s new about the latest show at the James Cohan Gallery is that it’s designed as visual avatar that connects the eccentric divide between the physical and intangible world, which is probably most clear in “Refuge Astronaut, 2015,” Shonibare’s climactic piece of the show.
In this piece, Shonibare took inspiration from human space exploration, while at the same time asking us poignant questions about climate and human instinct for survival against extreme climate.
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